Tag: Italy

The path less-trodden; part II

Casamassima, Triggiano and Bronte  

In last week’s post I talked about an often-overlooked gem of a town, Gioia del Colle – 40 km inland from Bari and a town which has become renowned for its cheese and wine.  In this post I will turn my attention to three other off-the-beaten-track towns; Casamassima and Triggiano in Puglia and Bronte near Catania in Sicily.

The countryside around Bronte, Sicily.

Casamassima

“The building is horrible and really old and looks like it should be in a horror movie!”  

The teenage student had been asked to describe a building in his hometown and had chosen his scuola media (middle school).  He continued:

“And there are these really awful trees that grow outside and make the classrooms really dark.  For me; they should knock the school down and rebuild it again.” 

And when asked about whether he liked living in his hometown, Casamassima?

“Not really.  It’s a really boring small town and there’s not much to do apart from studying, running and going to the pizzeria.  Tourists never come here.” 

Then he remembered something that might vaguely be of interest:  

“Oh, but there is this one cool thing.  In the centro storico, some of the old houses are painted blue because they thought it would protect them during the… [he looks up the correct word] plague.” 

So, when I found myself with a school holiday in February, I took myself off to Casamassima – also known as Puglia’s ‘Blue Town’

It’s a town with a population of 19,000 that’s 25 minutes’ drive from Bari and nestled at the foot of the Murge Plateau.  It has an interesting history and was most likely founded during the Punic Wars by the Roman general Quintus Fabius Maximus Verrucosus.  In the 14th century it was attacked by the army of Louis I of Hungary and whilst nearby cities like Bari resisted the attack thanks to its city walls and defences, Casamassima fell and the troops razed the village to the ground, burning and killing everything in sight.  It was then subsequently rebuilt by the Principality of Taranto, under The Kingdom of Naples and later commandeered by the Acquaviva and Vaaz families (of Portuguese-Jewish origin). 

I arrived in Casamassima in the afternoon on a cold and blustery day and found myself a parking space, near an ugly school building surrounded by huge weeping willow-style trees, that spookily matched my student’s description.  If this was the place he was describing, he was spot-on, as you can see below.

Photo: Google Street View.

A short stroll took me into the town centre and after walking through a stone archway and into a narrow street, I found myself in Casamassima’s centro storico and soon enough I began to see several medieval-age stone buildings painted in light blue lime.  Casamassima is known in Puglia as “Il Paese Azzurro” (“The Blue Country”) and local legend has it that houses in the town were turned blue by adding copper sulphate to quicklime, after an outbreak of plague in 1658 (transmitted by sailors arriving at the port of Bari) to both ward off and show gratitude to the Madonna for protecting the town against the disease.  

In the 1960s, the Millan artist Vittorio Viviani was struck by Casamassima’s uniqueness and began painting new works using the town’s centre as the backdrop.  This played a part in reviving the centro storico’s fortunes and also resulted in a period of urbanisation in the town (up until then, most of its residents’ primary source of income had been from agriculture).  A large shopping and commercial centre (‘Parco Commerciale Casamassima’) was also built on the edge of the town, although it’s attracted much criticism from locals who see it as an eyesore and are dismayed by the fact that many of its units remain empty.  

Casamassima; ‘Il Paese Azzurro’.

This wasn’t my first visit to Casamassima though.  Back in the summer, I had visited Villa Pagliaro; an imposing masseria built around 1870.  ‘Masseria’ is the Pugliese word for a ‘fortified farmhouse’ and they are a common sight throughout the region.  There is a different word for these sorts of buildings, depending on which area of Italy you live in so ‘masseria’ is very typically and exclusively Puglian.  I had been given an Italian lesson (and delicious tomato and rosemary crostini) courtesy of one of its residents Tiziana, as well as a tour of the villa’s grounds – now mainly used for the cultivation of olives, cherries and when the season is right, Indian figs (or Barbary figs or the ‘prickly pear’).  Tiziana’s partner’s father owns the masseria and had been brought up there so the family was determined to continue making their living as authentically as possible, rather than transforming the building into a luxury wedding venue or boutique hotel, like so many others in the area.

Villa Pagliaro, Casamassima.

However, this masseria also had a secret.  During World War II, its top floors became something of an unofficial nightclub for Allied soldiers based in the area and was a place for them to hang out and socialise.  As well as an old piano, the attic levels of Villa Pagliaro still contain a number of well-preserved wall paintings and murals from the 1940s.  There is a great article about them on the fascinating Barese local history website Barinedita

The WWII-era murals on the top floor of the masseria. Photos: Barinedita.

Triggiano

Triggiano is another small town in Puglia; about 10 km from Bari driving in the direction of Rutigliano with 14th century origins.  If you want a snapshot of daily life in a sleepy Italian town then it’s worth spending a few hours in Triggiano.  

It’s actually larger than Casamassima (its population is circa 30,000 but somehow seems a lot quieter and quainter).  Its outskirts are mainly non-descript concrete apartment blocks but the town’s centre boasts a number of Baroque 17thcentury churches and a small centro storico.  There are plenty of cafes to choose from for a quick espresso hit, as well as the usual delis, pasticcerie and macellerie you’d expect to find in any typical Italian town.  Prices were actually slightly cheaper than in the larger cities like Bari and Lecce too.  On my way home, I also drove through the nearby Noicattaro and at 5pm on a Saturday the attractive centre was bustling with people fetching supplies for their evening ahead.  Perhaps a place to explore in greater detail in future. 

Triggiano apparently also has important emigrant communities in both the United States and Venezuela.  During the festival of the Madonna della Croce in late-September, families often return to the town to show their children their origins and to donate money to the locality. 

Out and about in Triggiano.

Bronte

I spent ten days exploring Sicily in September before the start of the new school year and just after my mates from London Mark and Stu had visited me in Bari.  The eight-hour drive through rugged and mountainous Calabria all the way to the ferry terminal at Villa San Giovanni was an experience in itself and I then spent time in Messina (a rough and ready port city but with good food), Cefalu (beautiful but touristy), Palermo (a fascinating, heaving multicultural city), Syracuse (steeped in ancient history and mythology, plus heavenly seafood), Fiumefreddo di Sicilia (um, The Godfather) and Catania (a lively, fun city full of hip hang-outs).  However, it was the small town of Bronte, about an hour from Catania and lying in Mount Etna’s shadow that really stood out to me. 

Bronte, Sicily.

Bronte is a town that revolves around the growing and harvesting of its very own ‘green gold’ – the pistachio nut.  Bronte’s pistachio nuts are said to have a unique flavour (“the perfect balance between sweet and savoury”), texture and vibrant green colour that is incomparable to any other and they are sought-after by chefs all over the world.  

Bronte’s position 760 metres above sea level and on the Western slopes of Mount Etna is said to contribute to its pistachios’ unique quality as the plants absorb nutrients and minerals from the soil containing old lava deposits.  The cultivation of pistachios is a tradition that’s handed down from father to son and retrieving the nut from the tree is still done by hand and in some cases, by shaking the plant.  As a result of this centuries-old and painstaking process, Bronte pistachios are DOP-certified (of course) and often fetch high prices.  You will notice in Sicily that rather than parmesan or pecorino cheese, crushed pistachios will often be served on top of pasta dishes and you can pick up a bag of these pre-crushed at local markets for only a couple of euros. 

The first impression of Bronte upon visiting is that it’s a very lush-looking and scenic place.  It’s surrounded by green hills, olive groves and cactus fields, yet the ominous presence of Mount Etna is clearly visible from just about anywhere in the town.  I stopped for lunch at a small café and picked up a panino, arancino, water and coffee for €2.50 and even though there were several shops dedicated to the humble pistachio nut, it didn’t seem like they were visited by many tourists (it is about one hour’s drive from Catania, around the other side of Mount Etna).  

Mount Etna from the road to Bronte.

I took a walk around its quiet, hilly streets, passing the occasional tractor and trailer and through a park that overlooked some hills covered in green vegetation before picking up some of these hallowed pistachios for my family back in the UK.  They were very tasty and succulent and were certainly a lot greener than the varieties you find in supermarkets. 

Bronte and the surrounding countryside is well worth a visit if you are looking for something a little more unusual to do in Sicily.  You can find out more about the town, its history and places to stay here.

Bronte, Sicily.

Bari; the resting place of ‘Father Christmas’

Saint Nicholas or San Nicola reigns supreme in Bari.  He’s everywhere.  Countless buildings in the city are named in his honour (for example, the Stadio San Nicola, home of SSC Bari) and it’s not uncommon to see ornate pictures and murals of him adorning houses, bars, cafes and restaurants in the city.  This is all down to his relics essentially being stolen from a tomb in a church in the ancient Greek town of Myria by Italian sailors following the Battle of Manzikert in 1071.  The sailors brought the relics back to Bari and two years later, the Basilica di San Nicola was inaugurated by Pope Urban II to house Saint Nicholas’ remains.  It is said that the Pope personally placed the bones into the tomb underneath the church’s altar himself. 

The Procession of Saint Nicholas, Bari.

Also, known as Nicholas of Bari and Nicholas The Wonderworker, he lived during the age of the Roman Empire and was a Christian bishop of Greek descent who spent most of his life living in the ancient town of Myra on the Anatolia peninsula, now part of Turkey.   He gave all of the inheritance he received from his late parents to charity and was renowned for his spontaneous and secretive gift-giving and later became the inspiration for Santa Claus / Father Christmas.

Although many of the events in Saint Nicholas’ life are historically disputed, he seemed like a pretty sound bloke.  He brought three young children back to life after they were killed by a maniacal butcher, with the intention of turning them into ham.  He saved three poor sisters from a life of prostitution after dropping gold coins to them through the windows of their home.  He appeared as a visitation in front of an executioner, threw his sword to the ground and saved three innocent men from their deaths after they had been condemned by the governor Eustathius.  How a Greek-born philanthropist from 270 AD who spent much of his life living in Turkey morphed into an obese, white-haired, problem-drinking old man known as Santa Claus is unclear but it may have had something to do with the Dutch tradition of celebrating Sinterklaas.

It’s safe to say that Christmas in Bari, given its association with Saint Nicholas is usually a pretty big deal.  Some of my students and Italian friends have told me about big street parties that take place on the 24th and 25th December and it sounds that in pre-Covid times, Christmas week is one big celebration of feasts, dotted with various religious ceremonies.  It is said that Saint Nicholas’ relics continue to produce the miraculous liquid manna to this day.  On his saint’s feast day on 6th December, a flask is used to collect the liquid from his sarcophagus and some is even available to purchase in shops near to the basilica.

Clockwise from left; Christmas lights on Via Sparano, Bari. Bari Lungomare. Basilica di San Nicola on 6th December. Festive panettone.

Another Italian festive legend is that of Befana, a hideous, yet kindly witch who visits children on Epiphany Eve (5th January) and depending on their behaviour over the previous year, gifts them with either presents of candy or lumps of coal.  It is reported that Befana is also a fastidious housekeeper and that she will sweep the floor of the house upon leaving, brushing away the problems of the previous year.  Whilst Father Christmas’ existence is widely-debated, I have seen several possible contenders in Bari for Befana.

I was lucky enough to be able to make it back to the UK for Christmas this year, narrowly avoiding the flare-up resulting from the new super-contagious strain of Covid being identified in London and the South-East in mid-December.  I may have gone a little overboard in packing as much cured meat, cheese, spreads, pistachio nuts and panettone for family into my check-in luggage as possible.  My excuse is that I was following the bountiful example set by Saint Nicholas.  Detox and intermittent fasting begins in January.  

The Christmas bounty from Italy.

I have made an alternative Christmas Spotify playlist for the festive season featuring the likes of James Brown, Calexico and LCD Soundsystem.  Check it out here – enjoy!

Tarantella and Techno; a Year of Live Music in Lockdown Italy

In my last post, I talked about the crisis that many venues across the world are currently facing as a result of the ongoing Coronavirus pandemic.


Italy was the first European country to be stricken by the virus and a strictly-enforced lockdown was introduced on 9th March that lasted for over three months (a government form was required to leave home and even outdoor exercise was banned at one stage).  Either side of this and the current restrictions we find ourselves experiencing, I have been extremely lucky to still see my fair share of live music in Italia

Gigs have been a very different proposition since the pandemic but hats off to the many venues, promoters and artists who have been trying their best to creatively stage fresh and interesting shows, in far from ideal circumstances. 

Below is a rundown of some of the weird and wonderful gigs I’ve experienced over this past year, plus links to how you can find out more about the artists and venues in question. 

Edda – Officina Degli Esordi, Bari – 18th January

My first gig after moving to Bari. Formerly the frontman of Milan’s Ritmo Tribale, Edda is the reformed bad boy of Italian post-punk.  Having overcome a serious drug addiction, Edda now makes emotive electro-tinged power pop, typified by ‘E Se’ and ‘Signora’.  From what I could gather in-between songs, he likes to tell a good story too. 

Listen to: Edda – ‘E Se’

Dardust – TPO, Bologna – 22nd February

Let’s start with the positives.  TPO is a fantastic venue in the North West of Bologna – a converted industrial building that’s now a cracking multi-purpose arts space.  Props to the venue for having reusable beer cups too. Now imagine an Italian Calvin Harris with a pencil moustache and you’re halfway there with our friend Dardust.  An Italian producer from the Marche region, he’s clearly a talented chap and the crowd lapped up his live show.  However, at one stage he had a visual of marching demonic-looking bagpipers on the big screen behind him for an entire song.  Genuinely terrifying. 

Find out moreTPO (Teatro Polivalente Occupato), Bologna

Listen to: Dardust – ‘The Wolf’

Sunday night jazz jam – Binario69, Bologna – 23rd February 

Bologna was one of the favourite cities I visited in 2020.  I planned to stay for four days and ended up spending seven.  I loved its mixture of history, left-wing politics and vibrant student counterculture.  Binario69 is technically a members-only club for those in the know (I had to sign up and pay a small €10 joining fee – you receive a membership card in return).  Tucked away on a small street behind Bologna Centrale station, it’s a laid-back space where patrons sipped cocktails, played board games and listened to Sunday night afro-jazz performed by local musicians.  Prior to the Covid lockdown, Binario69 hosted live music most nights of the week and is now running a crowdfunding campaign in order to stay open.

Find out more: Binario69 crowdfunding campaign

Binario69, Bologna.

Francesco Manfredi Quintet – Palazzo Pesce, Mola di Bari –  20th June

The first gig post-lockdown #1 and held in the sumptuous former family home Palazzo Pesce in Mola di Bari.  After the stringent safety measures upon entry, the concert took place in the sunken garden outside the house with clarinettist Francesco Manfredi and his group paying homage to the songbook of New Orleans’ Sidney Bechet or to quote Manfredi; “the first clarinet player of hot jazz.”  The concert I attended was timed perfectly to coincide with the sunset that evening too.  Blissful.

Listen to: Francesco Manfredi and friends – ‘Si tu vois ma mère’

Elena Matteuci – Diocesan Auditorium Vallisa, Bari – 8th July 

Classical piano virtuoso Elena Matteuci and young violinist Sebastian Zegame paid homage to ‘La Tarantella’, an ancient form of Italian folk music that originated from the Taranto region of Puglia. The bite of the local Tarantula spider was said to make its victims hysterical – a condition known as Tarantism. It was thought that the victims’ only hope was to be revived through the power of music and dance – hence the creation of La Tarantella. There was also a fitting tribute to Ennio Morricone who passed away two days before the concert and an interpretation of ‘Cinema Paradiso’ as the encore. 

Listen to: Elena Matteuci – ‘Scherzo n.2 op. 14, Clara Wieck-Schumann’

Strebla – Extreme Music Academy, Bari – 18th July

Bari’s Extreme Music Academy didn’t have the easiest of starts to life as a new live music venue, opening its doors halfway through the relentlessly tough year which is 2020.  The venue is on the outskirts of the city on the edge of an industrial area by day and red light district by night.  Don’t let its location fool you though as this new venue is a gem – especially if you are partial to metal and punk.  It boasts a large 200-odd capacity live room with a decent soundsystem, an outside courtyard where people hang out between bands and a bar with cocktails named after various metal and rock icons.  “Uno Lemmy e uno Soulfly, per favore”.  I went to the opening night and Bari’s Strebla were the highlight – unusual post-punk / math-rock with staccato time signatures. 

Listen to: Strebla’s Instagram page

Find out more: Extreme Music Academy’s mission statement

Ellen Allien – Sound Department, Taranto – 8th August 

Taranto was another city that I unexpectedly took a liking to during the summer – two days soon became one week.  I was surprised to see that Berlin techno legend Ellen Allien was DJing at the Sound Department venue on the Saturday night of my stay.  Sound Department is located out of town near to the naval docks and is built predominantly from old shipping containers.  At 4am in the morning and without warning, the security staff suddenly winched the metal sides of the venue up towards the sky and then removed the roof to convert the club into an open-air arena as the sun came up.  A very cool concept.

Listen to: Ellen Allien – ‘True Romantics’

Ellen Allien, Sound Department, Taranto (camera phones were taped over by security but I snuck this one photo whilst I was waiting for my cab home).

Game of Sax – Parco Archeologico di Taranto – 10th August

La Notte di San Lorenzo is a night in August that’s famous in Italy supposedly as a chance to see shooting stars clearly in the night sky.  Taranto’s Parco Archeologico, a modest green space, famous for its ancient Greek remains hosted a midnight concert from local musicians Game of Sax to celebrate the occasion.  The locals loved their rendition of Domenico Modugno’s classic ‘Nel Biu Dipinto Di Blu’ and sang along to every word.  About as different to watching Ellen Allien two nights before as it gets. 

Find out more: Parco Archeologico Delle Mura Greche

The Comet Is Coming – Locus Festival, Locorotondo – 14th August 

Locus Festival is arguably Puglia’s most established major music festival.  Since its inception in 2005 it has welcomed a wealth of musical greats including the late Gil Scott-Heron, Lauryn Hill, David Byrne and Sly & Robbie. The 2020 event should have been headlined by Little Simz, Paul Weller and The Pixies but Covid unfortunately put paid to that.  However, a smaller, ‘limited edition’ version of the festival was still held in the grounds of Masseria Ferragnano, a fortified farmhouse on the edge of Locorotondo.  Social distancing, temperature checks and directional queueing systems were in operation in full force but it actually worked quite well and still felt like a ‘proper’ festival.  The only difference being that the audience had to remain seated on plastic chairs for the duration of the performance.

I’ve seen The Comet is Coming and the various other projects of their bandleader Shabaka Hutchings a number of times in the UK so had an idea of what to expect.  The boys even learned some rudimentary Italian for the occasion though!  

Listen to: The Comet Is Coming – ‘Summon The Fire’

Find out more: Locus Festival 2021 (excitingly, Devendra Banhart is the first name confirmed for 2021’s festival)

Domenico Tagliente – Chiesa di San Domenico, Mola di Bari – 20th August

One of the more unusual live performances I have experienced, Domenico Tagliente took over the huge organ at the Chiesa di San Domenico in Mola di Bari and re-interpreted Giorgio Moroder’s score of Fritz Lang’s ground-breaking 1927 silent film ‘Metropolis’ whilst the movie was projected onto a big screen inside the church.  Eerily atmospheric.

Find out more: Domenico Tagliente’s Instagram page

Fake Jam – SMIAF Extreme Sports Festival, San Marino – 4th September

I only stopped off in San Marino City for one night as I drove back to Bari from the UK (a stunningly beautiful place but if truth be told, a tourist haven) but I lucked out with the fact that Fake Jam were headlining the outdoor music stage of the SMIAF Extreme Sports Festival that very night.   Hailing from Bologna, they brought a lot of support with them and specialised in a brand of Parliament and Earth, Wind & Fire-inspired jazz funk.  Excellent and unexpected.

Listen to: Fake Jam’s YouTube channel

B. Fleischmann – Teatro Kismet, Bari – 17th October

B. Fleischmann is originally from Vienna but him and his band are now based in Berlin.  They make marvellously quirky, offbeat pop music with typically Berlin-esque techno inflections.  The show was part of the annual Time Zones Festival, a longstanding annual event in Bari and surrounding areas since 1986 that showcases alternative and non-commercial music – the festival’s motto is “on the paths of possible music”.  This was my first visit to the impressive and modern Teatro Kismet too but sadly the last show before the strict Covid measures were reintroduced in Puglia and all live music ordered to stop. 

Listen to: B. Fleischmann – ‘You’re The Spring’

Find out more: Time Zones Festival

As you can see it’s a somewhat eclectic bunch of highlights but I feel fortunate to have seen such a breadth of artists in what has been a very testing year for live music.  Another mention also goes to the two squat spaces Casa Occupata Via Garibaldi in Taranto and Ex Caserma Liberata in Bari; I went to a bizarre gig at the former where the performer was playing pots and pans with a drumstick, as well as a synth running through his laptop (it was actually pretty cool).  The latter is a cultural hub in Bari and seems to also be home of the city’s small but passionate dub and reggae scene.  I went to a dub party here in February and a lot of the faces there also came to the brilliantly-named Bari Hill Carnival soundsystem in September.  

It’s very interesting that so much of alternative culture in Southern Italy is associated with the squat scene (“una casa occupata”) – something that is a dying breed in London compared to its 1970s peak and famously its associations with the punk, new romantic and acid house movements.  What do Joe Strummer, Bob Geldof, Boy George, the Sex Pistols, Annie Lennox and Depeche Mode all have in common?  They all lived in squats early on in their careers. 

With promising news about the development of Coronavirus vaccines circulating, hopefully live music will be back in earnest in 2021. 

From Brixton to Bari

12th November 2020

A year ago to the day, I said goodbye to London and life as I had known it. 

For better or for worse, I left behind friends, relationships, a comfortable lifestyle, my beloved record collection and a steady career.

First, I spent a captivating six weeks in India; travelling from Mumbai in the West, to Kerala in the south, Chennai in the East and finally Meghalaya and Kolkata in the North.  

Then on January 3rd 2020, I moved indefinitely to Bari in Southern Italy with only two suitcases and my trusty 1962 Harmony H1260 guitar in tow (the same model that Jimmy Page used on ‘Stairway to Heaven’, if you’re interested).  

El Chiringuito, Bari.

One year on, I am writing this from a spartan one-bedroom flat in the Madonnella district, with the Adriatic Sea and ‘Lungomare’ (‘sea front’) a two-minute walk away.  The flat has a mould problem, a leaking bathroom tap and basin (my landlord, a retired football scout, has asked me to ‘manage’ the problem with a plastic container for the time being), questionable kitchen plumbing (l’idraulico has only been called out to unblock the sink a mere four times this year) and a burgeoning mosquito population who enjoy an active nightlife that seems to peak around 5am in my bedroom.  For reasons that don’t need elaborating on, I have spent more time inside this flat during 2020 than I ever thought imaginable.  

However, this well-worn old building in deepest Madonnella is full of character and my neighbours include numerous inquisitive, yet friendly older Italian ‘nonnas’ whose homes overlook mine.  I am sure they know where I am from (“L’Inglese!”), what I do for a living (“Lui è un insegnante!), as well as what music I listen to (“Le Smeeeths!”).  There is a secretive speakeasy bar diagonally opposite (“We only sell Peroni and Fanta” was the curt response when I enquired about buying a bottle of water one evening when my flat’s water supply had been cut off) and the street is surprisingly multicultural; I live a few doors down from a Chinese gentleman who dries his clothes on an airer he places on the pavement, a large family from Mauritius and several Indians.

It’s 5.30pm, my neighbours have started to stir from their daily siestas and chatter loudly from their balconies and The Ecstatic Music of Alice Coltrane Turiyasangitananda is on my stereo.  Despite the ongoing uneasiness caused by the Covid pandemic, with news of an approved vaccine on the way and Joe Biden’s impending inauguration as POTUS, there is plenty to feel optimistic about. 

Just another day in Madonnella.

But, why Bari? 

I was familiar with Bari being one of the largest cities in Southern Italy and the capital of the Puglia region but I must admit that a lot of my knowledge was down to S.S.C. Bari being the first Italian club of choice for former England midfielder David Platt when he made the switch to Serie A in 1991 (for then a British transfer record fee).  I got good vibes from my new school during my interview though and it sounded like a liveable city – “The Paris of the South” according to locals – and with a population of just over 300,000, a little less hectic than London.  Puglia is also a region famous for its no-fuss, predominantly vegetarian cuisine (‘cucina povera’) and this was certainly another major draw for me.

I had spent over ten years in London – at times working very hard, at other times having a lot of fun – and in general, living life at 100 miles per hour.  I’d had a lot of highs but also some fairly crushing lows (being told in an appraisal by a boss early in my career that he’d “be embarrassed to be me” and that I should be “ashamed of myself”, ranks pretty highly.  Said boss also had a penchant for making girls cry during interviews but that’s another story). 

The typical working week for me in London would often consist of 45-50 hours in the office, going to three evening gigs after work, a big night out or two at the weekend, four or five gym or swimming pool sessions and on average, five or six nightly hours of sleep.  Cramming as much into my days as possible and then feeling suitably knackered by the time Friday evening came around.

My home in Brixton, South London.

I had done reasonably in my career and worked myself up to a position that had a degree of responsibility but I couldn’t help but feel an unscratched itch that there had to be more to life than this and that time in the city was starting to pass by increasingly quickly.  

I began to look into teaching English overseas.  

It felt like an ideal way to experience living and working in a different country whilst doing something meaningful and dealing with lots of different people every day.  Being able to ‘teach’ also felt like a good life skill to have too, no matter what the future years would have in store. 

I studied for one of the necessary teaching qualifications and was soon able to start applying for roles. 

There were several options on the table; I was offered positions in Hanoi in Vietnam, Bangkok in Thailand, Morelia in Mexico, Madrid in Spain and Catania in Sicily.  However, I chose Bari.  

Bari Lungomare.